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please helping me to introduce lets me for yours friends have the opportunity to become the world-class guitar player

Joe Stamp-Guitar-5

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Here's a great live video of "Weapon of Choice" from the February/March 2008 European Tour:

And here's "Blackmore's Blues" solo from the same show:

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Joe at a clinic in Virginia - April 2006

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Diginet Music has made arrangements to get those long lost
CD's back up for distribution. Fans can either download single tracks or
the entire CD. Go to the following links for info:

Joe Stump's Reign of Terror "Second Coming"
http://www.diginetmusic.com/joestumprotsc.htm

Joe Stump's Reign of Terror "Light in the Sky"
http://www.diginetmusic.com/joestumprot.htm

Joe Stump Dark Gifts "Rare and Unreleased Tracks"
http://www.diginetmusic.com/joestumpdarkgifts.htm

Joe Stump "Midwest Shredfest" (Original mastering and editing)
http://www.diginetmusic.com/joestumpmidwest.htm

A list of all titles available:
http://www.diginetmusic.com/joestumproom.htm

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Kiko Loureiro -Guitar-4

“No Gravity”

Ser músico no Brasil implica em ser bombardeado por uma infinidade de ritmos e estilos musicais diferentes. Ser um músico de heavy metal em terras tupiniquins significa agregar ainda mais influências em sua musicalidade. Em mais de 16 anos de carreira, Kiko Loureiro obteve como material de trabalho todas essas nuances sonoras disponíveis. Esse leque musical com a técnica, feeling e maestria na guitarra está exposto em No Gravity, o debut solo de Kiko.

Carioca radicado em São Paulo, desde muito cedo Kiko teve contato com as seis cordas ao compartilhar aulas particulares com sua irmã. Apenas dez anos depois ele lançou um disco de heavy metal com mais quatro brasileiros e conquistou o mundo com uma das maiores bandas do heavy metal mundial, o ANGRA. São treze anos com a banda e shows em todos os quatro cantos do planeta. Freqüentemente Kiko é eleito um dos melhores guitarristas do mundo em revistas especializadas de países como França, Japão, Itália e Brasil.

Em No Gravity, Kiko expõe toda sua versatilidade e conhecimento musical em treze faixas gravadas na Alemanha, no famoso House Of Audio, durante três semanas após o término das gravações do mais recente trabalho do Angra, Temple Of Shadows. No Gravity conta com a experiência de Dennis Ward (Pink Cream 69 e Angra) como produtor e com o talento de Mike Terrana na bateria (Yngwie Malmsteen, Macalpine, Rage, Axel Rudi Pell). Kiko não só mostra ser um virtuose na guitarra como também domina percussão, teclados, piano, baixo e violões neste trabalho.

Mais que um “guitar hero”, Kiko respira música e não se separa de sua guitarra quase nunca. Sempre estudando, ele tem aulas de piano e participa constantemente de “jam sessions” nos charmosos bares de jazz da capital paulistana. A idéia de lançar um álbum solo permaneceu na cabeça de Kiko por muito tempo, mas as turnês do Angra e as gravações dos diversos cds, dificultavam a concentração total neste trabalho. Finalmente ele se internou no estúdio na Alemanha com Mike e Dennis e o fruto desse trabalho é um cd impecável, lançado e distribuído pela Hellion no Brasil.

Profundo conhecedor de jazz, rock, heavy metal e principalmente música brasileira, em No Gravity Kiko mostra a abrangência de seus horizontes musicais com solos, riffs e melodias. Muito rock sim, mas também choro, MPB e ritmos latinos executados com peso e agressividade estão nas criações de um instrumentista que prima pela composição e construção harmoniosa de seus temas. Um disco instrumental gostoso de ouvir e com melodias marcantes. No Gravity traz o talento já consagrado de Kiko Loureiro em versão amplificada por todas as suas influências.

Yngwie Malmsteen Guitar-3

Yngwie Malmsteen was born in Stockholm, Sweden, on June 30, 1963. The youngest child in a household that included his mother Rigmor, sister Ann Louise, and brother Bjorn, Yngwie originally had no interest in music. However, on September 18, 1970, Yngwie saw a TV special on the death of guitar iconoclast Jimi Hendrix. Seven-year-old Yngwie watched with awe as Hendrix blasted the audience with torrents of feedback and sacrificed his guitar in flames. The day Jimi Hendrix died, the guitar-playing Yngwie was born.

Applying his intense curiosity and tenacity to first an old Mosrite and then a cheap Stratocaster, Yngwie immersed himself in the music of such bands as Deep Purple and spent long hours practicing to learn their songs. His admiration for Ritchie Blackmore's classically influenced playing led him back to the source: Bach, Vivaldi, Beethoven, and Mozart. As Yngwie absorbed the classical structures of the masters, his prodigious style began to take shape. By age 10, he began to focus all his energies into music. His mother and sister, a talented flautist, recognized his unique musical gifts and gave him support and encouragement. His mastery of the instrument progressed rapidly. In his early teens, Yngwie saw a television performance of Russian violinist Gideon Kremer, who performed the highly difficult 24 Caprices of 19th century virtuoso violinist Niccolo Paganini. The effect was profound, and Yngwie understood at last how to combine his love of classical music with his burgeoning guitar skills and onstage charisma.

By age 15, Yngwie's trademark style had begun to emerge. He worked for a time as a luthier in a guitar repair shop, where he encountered a scalloped neck for the first time when a 17th century lute came into the shop. Intrigued, Yngwie scalloped the neck of an old guitar in similar fashion and was impressed enough with the results to try it on his better guitars. The scalloped fret board was somewhat more difficult to play than a normal neck, but his control over the strings was so improved that Yngwie immediately adopted it as a permanent alteration to his equipment.

About this time, Yngwie began playing in a number of bands built around his explosive guitar style, with long instrumental explorations. Around age 18, Yngwie and several friends recorded a demo set of three songs for Swedish CBS, but the cuts were never released. Frustrated, Yngwie began sending demo tapes to record companies and music contacts abroad. One such tape found its way into the hands of Guitar Player contributor and Shrapnel Music founder Mike Varney. Yngwie was invited to record with Shrapnel's new band Steeler--and the rest, as they say, is history.

From Steeler, Yngwie moved on to Alcatrazz, a Rainbow-style band, but it became clear that to fully develop his talents, Yngwie would have to go solo. Yngwie's first solo album, Rising Force (now considered the bible for neoclassical rock) made it to #60 on the Billboard charts, an impressive feat for a mostly instrumental guitar album with no commercial airplay. The album also gained Yngwie a Grammy nomination for best rock instrumental performance. He was voted Best New Talent in several reader's polls, Best Rock Guitarist the year after, and Rising Force became Album of the Year. Rising Force blazed a trail on the concert circuit that established Yngwie as one of rock guitar's brightest new stars and added a new genre to the music lexicon: neoclassical rock.

With his place in guitar history firmly established, Yngwie's neo-classical compositions fueled the ears of fans and the ambitions of aspiring guitarists worldwide for over a decade with such powerhouse classic albums as Marching Out, Trilogy, Odyssey, Live in Leningrad / Trial By Fire (gold-selling concert video of Yngwie’s 1989 sold-out concerts in Moscow and Leningrad), Fire & Ice (which debuted in Japan at #1 and sold over 100,000 copies on the day of its release), The Seventh Sign, Magnum Opus, Inspiration (covering the music of Deep Purple, Rainbow, U.K., Kansas, Scorpions, Rush, and Jimi Hendrix), Facing the Animal, Alchemy, and Attack!!

In 1997, Yngwie proved that he was much more than a rock phenomenon. After months of intensive work, Yngwie produced his first completely classical work, Concerto Suite for Electric Guitar and Orchestra in Eb minor, Op. 1. This groundbreaking album was recorded in Prague with the prestigious Czech Philharmonic Orchestra and famed symphony conductor Yoel Levi. Several years later, in 2001,Yngwie found his first opportunity to perform the critically acclaimed Concerto Suite with the New Japan Philharmonic Orchestra in Tokyo. The DVD/CD/VHS package of this groundbreaking performance became Yngwie's first release of the year in January 2002.

Reb Beach-Guitar-2

May 31, 2008

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Hello all, It seems I have been remiss in my posting on the forum lately. It's weird. I really didn't have anything to say for the longest time, and then I got SUPER busy.

It all started when I was just beginning to think my days as a guy on the road were over. Doug and David started the record, and I was going " UH OH!!!" What the hell do I do now? I started to talk to Kip about another Mob or solo cd, and then right out of the blue, at the best possible time, came Night Ranger.

It was one of my favorite bands growing up. When I heard Brad Gillis on MTV, I rushed right out and bought a guitar with a whammy bar. Now, I can't play without one. You can really hear his influence on the first Winger album. Pterodactyl screams are all his, but they are frequently ripped off by me. It was such an honor to play with him. He is such a strong, moving, unique guitarist. He came into the first day of rehearsal and played the first song like he was possessed. I stood there with my mouth open. It was so fun playing songs like "Don't tell me you love me", with the double solos from hell. Brad and I spent some great nights partying and drinking and laughing. One night I made him laugh so hard that he fell on the floor in the fetal position and stayed there for some time.

It was a great experience all around.



Then I was back to Winger, who are all my dear friends from long ago. I have to say that I prefer touring on a bus to doing fly dates... big time. I spent hours in Chicago and Dallas, with cancelled flights, and ungodly bar tabs. I slept on the floor with like 500 people one day in Chicago. Flying blows. Anyway, I have videos of the bizarre nights we would have on the bus making amazing music. I play my cig fiddle, which is a killer sounding little four string guitar which is made out of a cigar box. Johnny plays acoustic, and the crew does percussion on whatever is laying around. One guy shakes two cups taped together with corn flakes in them. Anyway, we make up songs and party all night and sleep all day.

I think the most memorable part of that tour for me was the show for the victim's families of the Great White fire. I think of my experience there for inspiration. It certainly was eye opening for me. Basically, it taught me just to be thankful for the way things have gone so far in my life, and that giving comes back to you. It also taught me to appreciate my loved ones even more, when I didn't think such a thing was possible.

So, Winger went right into Whitesnake, literally! I had a Winger gig, 9:00am rehearsals with Whitesnake all day, and then the last Winger gig, where I had to bail on the last show after party. It's the one in which Kip gets notoriously hammered. He doesn't drink or party at all because of his voice, but on the last night, look out!!!

Whitesnake is a totally different animal. You can't be fat in Whitesnake. It's a serious organization that is designed to put on a perfectly executed giant rock extravaganza. I drink less, I eat less, and I go to the gym. On stage and at rehearsal, it is like having a P.A. for monitors. It is so loud and good up there that I get off hard almost every time. David is amazing, and I want to be at my best for him.

The first show was opening for Ozzy in New Zealand to 50,000 people. Before the flight overseas, I hung out with Brett Michaels for a while in the lounge. Being from around Pittsburgh himself, he loves my Pittsburgh-ese impression, which I'm told I do well. "Hey MUM, Quit runnin a sweeper up pair! We're tryin to lisin ta hity n na bloaoofish dawn ne... Uh, Even if you were there, you wouldn't get it, but he asks me to do it every time I see him, and completely looses it. He is a nice guy. I have done two Poison tours, in different bands, and he was always very down to earth, and respectful to everyone. He says the new season of his show is going to freak everyone out.

It was the first time I had done a big rock show in awhile. There was a giant dragon that came out of the ground that it took twenty men to operate. It breathed fire and had lasers for eyes. They had fifty cheerleaders that would have been hot if they didn't have zombie make up on, and I am talking KILLER zombie make up ( no pun intended.) Oh wait, that was Thriller! Doh!!!!!! They danced on one stage while the fire dancers, who literally lit themselves on fire, were on the other little stage. Both little stages were behind the big stage to the right and left, so the people could watch while Ozzy played. I hung with Zakk a bit, who, as usual, put me in a headlock and kissed me. It was great to see him. We had a beer and talked about old times.

The new drummer Chris Frasier is a monster. Hats off to him for the wonderful job he did at being so prepared, and injecting a new style effortlessly into the band. His solo kicked my ass. I've had the opportunity to work with the best rock drummers around, and I was truly impressed.

I think the new album is strong, and Doug and David did a great job. We are learning half of it, and we'll see which ones stick live.

We started this current leg in the Amazon jungle. I don't recommend getting the shot for yellow fever and going out partying all night. They painfully inject you with a live virus in the fat, fleshy, underbelly of your arm. I spent the next day drooling in a bucket. I'm not sure if I would have needed the bucket, had I not had the shot. I certainly have never needed one before. The shows here in South America have been incredible, to say the least. The audiences are amazing . They appreciate and enjoy every note.

Doug and I are playing together like two guys who have been in a band together forever, and I think we have never been tighter. We even go out there and just jam on two guitars with no agenda. People say they enjoy the diversity of our different styles. It's very fulfilling, and the crowd loves it. They can tell we are just making it up as we go along. We play to 8000 people every night, who seem to enjoy slam dancing to "Love Ain't No Stranger", for some reason. It doesn't strike me as a "mosh pit" kind of song, but they all form a hole and start running into each other, and it's like a gay cavemen mating ritual...not that there is anything wrong with that. Sorry. "Hello Reb Bitch and I am South American fan that mosh dance and say you are giant poopy man!"

So, I'm looking forward to our big rock shows in Europe with Def Lep, one of my favorite bands. On the few times I have worked with those guys, I found them all to be so approachable and fun. I think it is a great double bill, and I am hoping it can come to the States one day.

Thanks so much for all of your well wishes and support. I couldn't do this without that. You all give me the confidence I need to do my best. I hope to meet all of you again, or for the first time, out here on the road. Here we go again!!!!

Cheers!
Reb

Ozielzinho-Guitar-1

Ozielzinho - Cálice

Nascido em uma família de músicos, Oziel Filho, o Ozielzinho, desde cedo manifestou o talento herdado dos avós maternos e paternos e com o pai, com quem aprendeu os primeiros acordes, além do irmão, com quem se iniciou na carreira musical.

Natural do município de Bacabal, no Maranhão, Ozielzinho toca instrumentos como violão, baixo, teclado e guitarra, o preferido. É no estúdio de sua propriedade que, além de tocar os instrumentos, faz ainda programação de bateria.

Autor de 17 composições, das quais 14 fazem parte do primeiro CD instrumental que o músico está gravando, o artista tem como referências os guitarristas Randy Rhoads, Kiko Loureiro, Juninho Afram, Edu Ardanuy, Matias Jabs e Y. Malmsteen, cujas influências se refletem no trabalho do músico.

Ao longo da carreira iniciada aos 9 anos de idade, Oziel tem na bagagem apresentações em igrejas, participações em bandas da região onde foi criado, shows com a Banda Althar, grupo com o qual toca regularmente. Fez abertura do show da banda sueca Evergrey em turnê que os músicos fizeram no Brasil nas cidades de Goiânia, Brasília e Belo Horizonte e um workshop em Brasília, no GTR – Instituto de Guitarra.

Ozielzinho tocou ainda ao lado de grandes nomes da guitarra brasileira como Joe Moghrabi e Kiko Loureiro (Banda Angra) do qual fez a abertura e participação no workshop. Em entrevista ao programa Stay Heavy o guitarrista Rafael Bittencourt, da banda, teceu elogios ao talento musical do artista.

O sucesso maior veio através da Internet, a partir de participações de disputas de guitarra on-line no site Guitar Battle, na quais as músicas do artista passaram a ter reconhecimento nacional. O site onde disponibiliza músicas e vídeos, www.ozielzinho.com.br, é hoje acessado por internautas de todo o mundo, com destaque para os Estados Unidos. Na comunidade do Orkut “Eu sou fã do Ozielzinho”, uma legião de fãs testemunham o reconhecimento ao trabalho do músico.

Na edição de janeiro de 2006, a Revista Seleções homenageou os 100 melhores do Brasil de 2005. Na categoria Brasil Arte, Ozielzinho foi escolhido como o guitarrista do ano. Também foi ganhador da promoção "NIG Realiza seus Sonhos, participando do CD NIG Evolution III e uma participação especial no stand da NIG na Expomusic 2006.

Atualmente, Ozielzinho tem 26 anos, é guitarrista da banda gospel ALTHAR, tem apoio das cordas e pedais NIG, Captadores SOUND, Icone Luthier´s, Amplificadores LAM e esta gravando seu primeiro trabalho instrumental.

Noisy Free download

COPY 1 Mr Crowley

COPY 2 CROSS (NOISY COPY)

COPY 3 New Top Gear (Noisy Copy)

COPY 4 Pegasus Fantasy

COPY 5 Far Beyond The Sun ( NOISY COPY)

COPY 6 Groove Or Die (Noisy Copy)

COPY 7 Just Memories(NOISY COPY)

COPY 8 Close To The Sky (NOISY COPY)

COPY 9 Sonda-me Usa-me(Noisy Copy)